Geddy
Lee, the bassist of Rush, has finally gone solo. Rush has dominated
the progressive rock genre for nearly 30 years, and Geddy's first
solo record to date shines. On this record, absent are the fellow
Rush members as the audacious Geddy Lee takes over both the writing
and the music. Most tracks on this CD were written by Geddy Lee and
Ben Mink.
Upon first listen, I had originally passed his solo effort, "My Favorite
Headache," as conservative and uninspired. As prolific as the band
Rush was, as for they have more albums than I can count with my fingers,
maybe it was time to stop recording gracefully. Furthermore, I had
condemned this record as just another member of a famous rock band
attempting to go solo. Only two songs on the whole disc resemble anything
fast paced, as the remainder of the tracks languish in middle-tempo
hell.
Yet, upon subsequent listens, Geddy Lee's music started to make sense.
On this CD, every track is layered together beautifully and his writing
is flawless. You can tell that Geddy has spent some time on this one
as each track is mixed together with a precision rarely heard from
the current rock bands. His new group plays extremely tight and they
harmonize with one another skillfully. He even has some electronic
beeps and noise to give his craft a fresh sound. Many will comment
that Neil Peart, the usual writer of Rush, did not write the lyrics
and will hold an unfair grudge against Geddy Lee. I did not have a
problem listening to Geddy talk about Nihilism, imperfections, and
of course- love.
The complainants about this CD are minimal. As wonderful as this CD
is, it rarely goes for the jugular. He conservatively attacks the
music and though there are adequate leads, they are restrained. Absent
are the usual "Rush" aggressive virtuoso tactics, which
are reminiscent of Lifeson's guitar work. Even though there are not
many moments of gratuitous playing, the music is excellent. Geddy
proves to the listener that he is more than a Rock Icon, and after
thirty years he can still produce well crafted music that does not
remain in a past era.